i am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; i am also a girl, here in this room [forthcoming 2027] | saxophone, electronics [for Stephen Tamas]

Solo e pensoso (d’après Marenzio) [forthcoming 2027] | transcription for piano

the woods throb blue and green, and gradually the fields drink in red, gold, brown [forthcoming 2026] | violin [for Jaime García-Añoveros]

digits, surfaces, localized retentions [2026] | cello [for Robert Feifan Hurley]

that, being almost not retained [2026] | soprano voice, alto flute [for Charlotte Mundy & Laura Cocks]

contre-jour (what remains unsaid) [2026] | two alto saxophones, cello, light

imprint II: grain – ink flecks [2025] | cello [for Nikei Kai Bowen]

parchment grew hair, folio 21R [2025] | tenor saxophone, electric guitar, piano, percussion [for Hypercube]

edison kinetoscopic record of a sneeze – antiphon in two parts [2025] | violin [for Jaime García-Añoveros]

delicate flexion, ligaments in suspension: triptych [2025] | cello, kokle, percussion

small room: anno 1130 aedificata, Eidyn [2025] | string quartet [for Bergamot Quartet]

bend, taxidermy [2025] | violin, stationery, electronics [for Che Ali & Yanqi Chen]

imprint: shavings on the rastrum - minute chips, deviations, etc. [2025] | cello [for Nikei Kai Bowen]

abstraction as luxury (or necessary escape) [2024] | piano four-hands & two percussion [for Yarn/Wire]

「繕」 sŭn [2024] | fixed media [for Columbia AAA]

an irresistible compulsion to agglutinate: one agent(s) [2024] | alto saxophone [with Emma Lacy & Andy Jeon]

modes of contrition [2024] | two voices [for CAMP]

transcript [2024] | percussion & choreography [for Columbia Ballet Collaborative]

「歸一」 Gwi-il [2024] | wind quintet [for Decoda]

stationery études [2023] | pencil, ballpoint pen, rollerball pen

Vrai [2023] | soprano, alto, tenor, baritone [for ekmeles]